Colophon
The current version of this text was drafted by the co-authors:
Vincent Boele, Curator of Americas & Oceania Collections, MAS Museum Antwerp
Lies Busselen, Researcher on human remains in colonial collections - H.O.M.E., RMCA
Marie-Sophie de Clippele, PhD Law, Postdoctoral researcher F.R.S.-FNRS, Université Saint-Louis - Bruxelles
Els De Palmenaer, Curator of the Africa Collection, MAS Antwerp
Roselyne Francken, Curator of the Asia Collection, MAS Antwerp
Sarah Van Beurden, Associate Professor of History and African Studies, The Ohio State University
Annelies Van de Ven, PhD Archaeology, Postdoctoral researcher F.R.S.-FNRS, Université catholique de Louvain
Yasmina Zian, PhD History, Postdoctoral researcher, Université de Neuchâtel, Université Libre de Bruxelles
in collaboration with:
Leen Beyers, Curator and Head of Research, MAS Antwerp
Tara Chapman (HOME project), Royal Belgian Institute of Natural Sciences
Hugo DeBlock, Guest Professor of Anthropology, Department of Languages and Cultures, School of African Studies, Ghent University
Katrijn D’hamers (FARO, Flemish institution for cultural heritage)
Nicole Gesché-Koning, art historian and anthropologist, honorary professor Royal Art academy Brussels and ex-assistant at the Université libre de Bruxelles
Billy Kalonji, President of COMRAF (Comité de concertation entre le Musée de Tervuren et les Diasporas africaines), expert in cultural diversity and inclusion
Anne Wetsi Mpoma (Art historian, founder of Wetsi Art Gallery, ngo Nouveau Système Artistique)
Jos van Beurden, PhD Humanities, senior researcher colonial collections and restitution, Free University Amsterdam
Pauline van der Zee, UGent
Hein Vanhee, curator and researcher at the Royal Museum for Central Africa, Tervuren
in collaboration with ICOM Belgium (final editing). ICOM Belgium is not responsible for the content, but stimulates with its contribution the current discussion in Belgium about colonial heritage.
Brian Jones, web production
Coordination
Katrijn D’hamers (FARO, Flemish institution for cultural heritage)
Sarah Van Beurden, Associate Professor of History and African Studies, The Ohio State University